my voice, the ocean’s bell
rings a note bellow the waves.
i am the sea’s sovereign sound,
everyone kneels upon my fins
they give me pleasure.
out of the sea, i am dumb:
my royalty holds no meaning,
no man kneels at my feet
it is i who kneel
to give them pleasure.
--“Ariel II” by Ralph Semino Gallan (Ladlad, 1994)
Introduction
The author of “Gayluv” is a gay. This piece of work is a manifestation
of his individual point of view and a reflection of his personal observations
and experiences on how homosexuals are being treated in our society. Gayluv, as
a product of a first hand experience of
a gay man who wants to share the life of homosexuals, and to express his
opinions regarding the issues faced by this gender in our society. Honorio De
Dios served as an amplifier for the voice of this minority to be heard and be understood
by the society. The first line of the story says, “I love you, Mike.” told by
Benjie, a line delivered by a man to another man proves that these people are
human too. The story evolves between two male characters who have questions in
their respective lives and the big role of homosexuality in providing some
answers and at the same time more and more questions. To have a better
understanding of the idea of the story and the author, the following excerpt
from De Dios’ “Sa Labas ng Parlor” (1998) is quoted. “Sa kanyang kalipunan ng
mga maiikling katha, seryoso si De Dios sa kanyang pagsisikap na ipahayag at
ipaunawa sa lipunang heterosexual ang partikular na kalagayan ng mga Filipinong
bakla. Sa bawat kuwento ay hindi lamang ang problema ng bakla sa sarili ang
pinoproblema ng bawat tauhan: laging kaugnay ito ng lipunan na siyang
kinalalagyan at kinakaharap ng problema.Walang pag-aalinlangan na ang simpatiya
ng awtor ay nasa tatag at ganda ng tagdang kinawawagaywayan ng bandila ng
kabaklaan.”
“Maagang namulat si Honorio Bartolome De Dios sa makulay at madilim,
masaya at malungkot, magulo at mapag-isang mundo ng mga bakla. Mula sa Marilao,
Bulacan, lumuwas siya sa Maynila at bilang seminarista ay nag-aral ng sociology
at nakilahok sa mga gawaing pangmasa. Na-involve siya sa development work sa
loob ng sampung taon. Ngunit hindi lang sa mga ito siya naging abala. Sa
mabangis na lungsod, ginalugad din niya ang mga suloksulok ng kabaklaan upang
hanapin ang kanyang natatanging lugar sa lipunan. Ilang beses din siyang
napaluhod, nadapa, at napasubsob sa kanyang paghahanap. Ngunit sa tuwina,
bumabangon siya na may panibagong lakas at determinasyon. Sa ngayon patuloy pa
rin ang kanyang paghahanap at ang pinagyayamang karanasan ang ginagamit niyang
panulat upang lumikha ng mga kuwentong sumasalamin sa buhay ng mga bakla sa
isang lipunang may kinikilingan, mapagsamantala, walang pagkakapantay-pantay,
pyudal, at patriyarkal.”
Analysis
The story is about
Benjie and Mike who fall in love with each other. The two presented several
aspects of homosexuality in our society. The typical gay or bakla, portrayed by
the character of Benjie; was manifested by the manner of his speech in several
lines from the story:
“Pero mga ateee, bumigay
na naman ako sa hiyaw ng akong puso.”
“Gasgas na sa akin ang puna ng mga amiga kong baklita na ilusyon ko lng ang paghahanap ng meaningful
relationship.”
“Daaaaay. Maganda si
Carmi. Mas maganda at mas sexy kaysa kay
Carmi Martin. Pinanghalong Nanette medbed at Dawn Zulueta ang beauty ng bruha.”
“Ay naku daaaay, imbyerna na
ako ha! Ayoko ng guessing game na ganito.”
“Ang Drama, ateee.”
“Naloka talaga ako nang bigla na lang siyang yumakap sa akin.”
This kind of language
is typical among Filipino homosexuals. Their wide knowledge on beauty and show
business was also manifested when Benjie was describing Carmi. Their gay or
jolly personality is also quite obvious in the way he speaks. Notably, this
kind of homosexuals are those which we see in parlors, the one that is comical
and laughable, the one that receives less respect and improper treatment from
many, the one which is usually looked down and degraded. Those who are the
living persona of insult and are epitomizing the so called “salot ng lipunan”.
Remoto (2009) lamented, “Homosexuality is now a contagious moral and spiritual
disease from which our youth need to be quarantined?” Such claim was also
highlighted by Mike’s fear to be associated with gays, he says “Aba , eh baka kako
mapaghinalaan din akong bakla kung isang bakla ang lagi kong kasama.” This
manner or frame of thinking on how homosexuality is viewed in our society is
possessed by the majority of Filipinos. According to Barnet, (1996) homosexuals
and heterosexuals are ways of defining human being. Sadly, in the Philippine
setting and in many parts of the world, the definition of homosexuality is immorality
and sin. Perhaps, gay’s reputation of using money to get sexual satisfaction
with the same gender is also manifested as Mike explained, “…nanlalaki, yun
bang namimik up kung saan-saan.” It is undeniable that such practice is rampant
among many homosexuals in our country, which probably is the reason why many
Filipinos have a negative perception and reception of the gay community.
An unacceptable
behavior in our society of a man appreciating another man was also reflected in
the story through the following remarks of Benjie about Mike:
“Oo, gwapo si Mike at macho ang puwit…”
“Aba ,
at mas gwapo pala sa malapitan ang Mike na ito.”
Such remarks, if uttered by a man, will be a qualifying evidence
that he is a gay and that he is deviating from the acceptable norms in the
society, which is condemning homosexuality.
Homosexuals are
also portrayed in the story as someone who does not deserve to be happy in
terms of emotional aspect, most specifically in the aspect love. This was
manifested by the character of Benjie who reflected, “Para
kasing nung nakita ko silang dalwa, ang pakiramdam ko, kalabisan na ako…” as he
saw Mike and Carmi together. This also supports the conventional thinking of
our society that god created man for a woman and a woman for a man and same sex
pairing is a sin.
According to Barnet
(1996), “…sexuality will determine the particular categories within which
individuals come to understand and to name their own desires.” In the story, a
line says, “…sa gitna ng madilim na kwartong kaming dalawa lamang ang laman, ay
di lang yakap at halik ang gusto kong isukli sa kanya noong gabing iyon.” Such
desire if uttered by a heterosexual will be very acceptable and even
encouraged, but if it comes from a homosexual even if there is sincerity, it
will still viewed by many-- maliciously and often immoral.
Conclusion
It is a long way to
go, if not impossible before our society could accept homosexuality with
tenderness. The injury that it is inflicting and the living scars on the skin
of both the heteros and homos in our society will continue as man strives to
live in this diverse world. It will keep on burning the fire of reality that
whatever we do, accept it or not, homosexuality is existing and growing in our
society. These homosexuals could be your parent, your sibling, your cousin,
your neighbor, your friend, the person sitting beside you, or you yourself.
Therefore, the key I think is, the culture of understanding and acceptance,
thus according to Remoto (1994) “yes, we have come, we are here, kapit bisig if
you want it—voices that have long been silenced, people who have long lived on
the margins of page, on the shadowlands of other people’s consciousness.”
References:
Barnet, S. (1996). A short guide to writing about literature 7th
edition. HarperCollinns:
Garcia, N. C. & Remoto, D. (1994). Ladlad anthology of
Philippine gay writing.
Remoto, D.(November 16, 2009) Disenfranchising homosexuals
Editorial. Ang
Pahayagang Malaya. Retrieved at
http://dantonremoto2010.blogspot.com/2009
Walang komento:
Mag-post ng isang Komento